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미국 E루소 Jazz Metal 알토 색소폰 마우스피스

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Click to enlargeE. Rousseau Jazz Metal Alto Sax Mouthpiece

The E. Rousseau Jazz Metal mouthpieces combine extraordinary design features, world-class technology, and affordability. Produced from the finest solid brass using the latest CNC computer-aided technology, E. Rousseau Jazz Metal mouthpieces allow the achievement of a powerful tone with an excellent balance of edge and warmth. Each mouthpiece is 24-carat gold-plated and includes a high quality ligature and cap. Available in the following facings: JMA5 (medium), JMA6 (medium open), JMA7 (open), JMA8 (more open), JMA9 (very open).

 

 

 

 

 




View a PDF of this ad.

A sound artistic investment

Saxophonists around the world utilize E. Rousseau Saxophone Mouthpieces. Each mouthpiece delivers excellent tone quality, easy response and outstanding consistency. All E. Rousseau Mouthpieces meet rigid standards:

  •  Unique, yet practical design that balances the baffle, sidewalls and facing

  •  Highest quality hard rubber

  •  Thorough field testing prior to manufacturing

  •  Careful inspection of each mouthpiece prior to shipping

Extraordinary design, precision-made, balanced tone… and affordable.

For further information about Eugene Rousseau Mouthpieces, including dealer locations, visit the Conn-Selmer Web site.

 

 

 

 

E. Rousseau Saxophone Mouthpieces

Classic Models • Jazz Models • Jazz Metal

Mouthpiece Testing • Mouthpiece Terminology 

Jazz Metal

The new E. Rousseau Jazz Metal mouthpiece combines extraordinary design features, world-class technology, and affordability. Produced from the finest solid brass using the latest CNC computer-aided technology, E. Rousseau Jazz Metal mouthpieces allow the achievement of a powerful tone with an excellent balance of edge and warmth.

Each mouthpiece is 24-carat gold-plated and includes a high quality ligature and cap.

Jazz Metal Facings
OPENINGS
Alto
Tenor
Medium
JMA5
JMT5
Medium Open
JMA6
JMT6
Open
JMA7
JMT7
More Open
JMA8
JMT8
Very Open
JMA9
JMT9

1. Tip Rail


2. Facing


3. Side Rails


4. Baffle


5. Walls


6. Window


7. Table


8. Arch


9. Chamber*

 

E. Rousseau Saxophone Mouthpieces

Classic Models • Jazz Models • Jazz Metal

Mouthpiece Testing • Mouthpiece Terminology 

Mouthpiece Terminology

The tip rail contributes to the brightness or darkness of tone; a thinner, narrower tip allows for higher partials -- thus more brightness.

The facing is actually comprised of two curves -- the two side rails -- one on each side of the mouthpiece, so that it is important that these be symmetrical. Each brand of mouthpiece has a number or letter that designates the facing, referring primarily to the tip opening, i.e. the distance between the reed and mouthpiece at the very tip.  A larger number indicates a greater opening, but the designations do not usually indicate the length of the facing.

The baffle is the area inside the mouthpiece that is directly beneath the reed. The distance from the reed to the baffle is critical in determining brightness and darkness of tone. Generally, a higher baffle, i.e. closer to the reed, produces a brighter tone.

The walls normally come straight down from the top of the side rails to the baffle. Early saxophone mouthpieces had concave sidewalls. By contrast, the walls descend diagonally from the side rails on the E. Rousseau JMA and E. Rousseau JMT mouthpieces.

The window is the opening between the side rails that is covered by the reed.

The reed rests on the table to provide a good seal between the reed and mouthpiece; the table must be kept clean and smooth. E. Rousseau hard rubber mouthpieces are designed to have a very slight concave area in the center of the table to ensure a secure fit for the reed. The arch is located between the table at the end of the window, and can be easily seen by looking through the mouthpiece from rounded end to tip.

* The chamber is a combination of the shapes of the baffle, walls and arch.

Copyright 2006 Eugene Rousseau
   
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